Want a this image for your desktop? Here you are:(Click on your screen size below and load the jpg onto your computer.)


This cozy event hosted in the beautiful Rose Mille in Stillwater is coming up in just a couple weeks- May 22nd. Come for one workshop taught be myself, Karri Meng, or Michelle Rose Jorgensen, or stay for all three and the sweet Soiree held later in the afternoon. I hope to bring a few of my original pieces to the Soiree. They'll be in good company as Kaari will be bringing a handful of special items from her wonderful shop French General, and Michell will have Rose Mille stocked with the gorgeous vintage millinery flowers, ribbons and findings as usual. Check out the Bloom Website for all the details!

Take part in daily hands-on workshop classes in jewelry, knitting, painting, sewing, journaling, and more, all taught by industry leaders like Betz White, Kaari Meng, Wendy Addison, Ruth Rae, Camille Roskelley, Carol Kemery, Dara DiMagno, Debbie Murray and Shea Fragoso , Halligan Norris of Maximal Art, Jenni Bowlin, Joanna Figueroa , Laurie Meseroll, Leslie McCabe, my mom Pat Murphy, Kristin Nicholas, Robyn Charchula, and Myself!
Part of the reason I've been thinking about my long history of making (and wrote about it yesterday) is because I've just begun to tackle the huge process of working and writing for the workshops I'll be teaching this year at Bloom and the Creative Connection. Preparing for a workshop is a tedious process where I dissect each and every step I make while creating my work. This analytical approach is completely at odds with my usual process. Scientists talk about the transfer of activity from the left side of the brain to the right- and everyone knows the magic of flow- but breaking down my practice is a tricky activity which leaves me caught between these two worlds and while in this thoughtful, creative, but analytical state today I could help but think about how we get to be such individual makers.
I started sewing animals when I was 11- and while my mom has a lot of the pieces I made then I don't have many- well, honestly I just have this one: a bright orange kangaroo. He's so bright orange in fact I had to take him down a notch in photoshop- it was just too orange to handle and a little unbelievably bright. He's been in every studio I've ever had for as long as I can remember. I haven't kept him on purpose. I wasn't all that fond of him or attached. He was just a prototype of for a pattern I made but couldn't sell because no one wants an obnoxiously orange felt kangaroo, but over the years he's burrowed his way into my heart. He refuses to be lost - after spending years in this or that odd drawer or shelf- only to pop up unexpectedly while cleaning or moving- he's finally made his way out into a position of prominence in my studio. He now sits proudly on my sewing desk - and greets me each day- brightly. After 20+ years I think I'm happy he's stuck around... He's a mascot of sorts- a sign of my childhood and example of how long I've been sewing.








I can't be there to ring your doorbell and leave these-